“Like all of us, I carry my child hood with me,” I can move around from place to place, but the whereabouts of my family bond stays in the same “place.” Which is unquestionably why I find it unrepresentative to say that the actual “space” of my house is the most important. Personally, the activities that occur that within the space of my house, such as barbeques, birthday party celebrations or family dinners are the most important, because they remind me of different times in my life (Kron 34). The space of my nuclear family gives me a self-identity, because I often find myself mirroring my parents and sibling. Without them, I would perhaps have different beliefs, morals; that’s why I find it incredibly important to mention them.
The objects and decorations around my house, also hold sentimental value and imperative meaning. Contrary to that, I also believe my home holds special meaning to me, because of what’s in it, because possessions also harvest a degree of personal identity. Possessions play a role in creating, maintaining, and preserving the identity of individuals. “Our possessions give us a sense of security and stability” (Kron 130). For instance, in my bedroom, I have books, movies and records I’ve devotedly collected over the course of my life, and they mean a great deal to me, because of the arduous process I went through trying to acquire them. On one occasion, I really hankered after Japanese author, Jun'ichirō Tanizaki’s, rare personal diary Childhood Years: A Memoir, but could not find it anywhere. For months I kept searching, not really bothering to order over the web, because of the ridiculous prices; then finally I took a trip to Berkeley and unintentionally found it in a bookstore. In this sense, I feel the process in acquiring the book helped piece together a part of my “identity,” and not because I was seeking a particular status by obtaining this book; because I know for a fact, the average individual has no clue who Tanizaki is. That particular incident really showed me how devoted I could be to a particular “liking,” which I feel says a lot about my identity.
Over time, individuals develop a set of symbols which they believe represents the self-identity that they want to project as these material possessions are a part of one's identity. That said, I don’t fully agree that “every human being is a status seeker on one level or another - and a status reader.” I say that because I feel some people just have certain hobbies and interests and just enjoy collecting certain things, but technically, I wouldn’t disagree that it gives you a certain status.
On contrary to that, someone could make a case that, “things are cherished not because of the material comfort they provide but for the information they convey about the owner and his or her ties to other” (Kron 133). I myself often find myself believing this, because “without familiar things we feel disoriented. Our identities flickers and fade like ailing light bulbs” ( Kron 135). In order words, our possessions allow to distinct between ourselves and others.
My house and family for instance, gives me an identity that could only be created by having my family, which I personally feel is a special thing; or such as, the books I have collected and read over the years; I’m sure it would be quite rare to find someone with the same exact taste of books as me, considering the plethora of books out in the world. If I would’ve never encountered the space of books, I would probably be writing about something else, and would perhaps be a slightly a different “being.” In the end, whether it’s family, a home, or possessions, “We create environments that are extensions of ourselves, that serve to tell us who we are, and act as role models for what we can become” (Kron 36).
Works Cited
Ansa, Tina McElroy. “The Center of the Universe.” Reading Culture: Contexts for Critical Reading and Writing. Eds. Diana George and John Trimbur. Boston: Pearson, 2012. 274- 277. Print.Kron, Joan. “The Semiotics of Home Décor.” Signs of Life in the USA: Reading on Popular Culture for Writers. Eds. Sonia Maasik and Jack Solomon. Boston: Bedford-St. Martins, 2012. 128-137. Print